Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes an organisational system of work, after the model of
industrial production and totalitarism, spirit, identification
with ideology, which means: not the individual, but the
speaks. Our is industrial, our language political. Laibach is a
recognition of universality. Its organisational activity is an
intense and a constant systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a of receivers, and with a
communication through uncommunication. Laibach's approach is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in and economically complicated situations,
the antagonism in society is becoming strained, only remains as the
ultima ratio of integration. The force must adopt the form of
systematic, physical and psychic terror, organized in with
social relations. is obtaining a function of productional power,
which extorts discipline and an adaptation of the mass, to the
productional relations, and the productional apparatus. For the
totalitarian form of government, the systematic terror a
constitutional instrument of authority. the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, rudimentarily affects the consciousness of people,
through stage performances of ritualized demonstration of power,
and through manipulative means of an individual, Laibach practises a
force, in a form of systematic, psycho-physical terror as social
organisational principle, in to effectively discipline and raise a
of total adherence bond of a certain, revolted and alienated
audience, which results in a state of collective [athasia?], is the
principle of organisation. In this sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and associations, and as such it serves as the means of
working stimulation. By the consumer's mind, it drives him into
a state of humble contrition and obedience, self-sacrifice, by
destroying every trait of individuality, it melts the into a
mass, and mass into a humble, collective body. The of Laibach's
message, perception and structure uncovers the social neurosis.
Laibach unites the biters and into an expression of static,
totalitarism cry. Our basic inspiration, ideals which are not to
their form, but the material of Laibach, manipulation of self, an
industrial production: art of the Reich, totalitarism, taylorism,
bruitism, disco. rhythm, as a regular repetition, is the purest, the
most radical form of the militantly rhythmicity of technicist
production, and as such the most appropriate of media manipulation.
As an structural basis of the collective unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is in the logic of
massive, totalitarian, production.
[I had to write one down by ear... Took me hours.]